[SB] Sabbath Blessing
Molly Wolf
lupa at kos.net
Mon Apr 30 02:24:30 GMT 2007
Two Musics
(Was supposed to get written last weekend; didn't happen because it wanted
to wait for the final instalment.)
I had the choice, a week ago last Saturday, between two possible musical
entertainments. One was a concert of late medieval and Renaissance sacred
music, including a very early Mass, performed with passionate authenticity
by a very good university chorus, dedicated to this sort of music and led
by a noted scholar. I've heard them sing before, and I knew the concert
would be excellent.
The other option was a backyard bonfire, held by my about-to-be next-door
neighbours, Val and Stephen, at which there'd likely be some low-key guitar
music and singing.
It was a no-brainer. It's not just that I'm fond of slightly burnt sausage;
it's that I'm also a latent and totally unrepentant pyromaniac. And I
almost never get a chance to indulge.
So I sat there happily poking the fire, getting wood smoke in my lungs and
hair, nibbling my sausage and talking quietly with the others -- another
couple from church also came by. And then someone handed me a guitar.
I am not much of a guitarist; I never was. I always get to the same level
of just-barely adequacy and stick there. Some years ago, my younger sister
gave me her beautiful Gibson Heritage guitar, which she couldn't play any
longer (having lopped off a fingertip while chopping wood), and I did my
best to live up to it, but I couldn't. So, in guilt, I recently sold it to
someone who'd love it and play it as it deserved to be played.
That was before I learned that Stephen teaches guitar. Damn.
Now, in the scent of burning wood, I cradled his son's guitar and picked
out a few tentative chords -- it's been some months since I'd laid finger
to fret. On one side of me, Ken was doing some runs up and down the neck of
his guitar; on the other, Stephen was fooling around with high-up chords.
Suddenly, there was a musical structure between the two of them that I
could drop right into. I didn't have to pick (always my bane!); I could
just pluck chords, and if I missed a few, it didn't matter, because the
guys were keeping the music going. I was just along for the ride.
We sometimes see community as being more like the concert model: we're
supposed to sit back, admiring the performance without participating in it
because, let's face it, we're not really good enough to be up there on
stage -- and honestly, that's not false modesty; it's true. We aren't. I
can't even read most theology; I get too easily baffled by abstract
language. I know that my knowledge of Scripture is woefully inadequate,
compared to the scholars' understanding. Most of us get utterly defeated by
the specialist language -- soteriology, hermeneutics, eschatology. We're
tempted to cede authority and autonomy to those in authority who know
better than we do, and to sit in the pew, taking in the experts' performance.
But another part of me knows better, likely because preachers' kids are
always all too aware of the fallibility of those in Holy Orders. Another
part of me knows that community is more like the bunch of us sitting around
the fire, noodling on guitars and quietly singing praise music, which
certainly isn't as beautiful as the Renaissance stuff (and emphatically not
as well performed) -- but it was *us*, not "them" and "us", and we softly
singing praises because that's what we wanted to sing.
In this way of working, my imperfect, inexpert music was like a vulnerable
thing slung between and supported by the sturdier, stronger music to left
and right. It didn't matter that I can't play well, especially when I'm
months out of practice. What mattered was that I was playing at all, and
that my music did make a contribution to the whole soft smoky whole. And
that whole was profoundly God-pleasing, because the lot of us had chosen to
turn our music Godward. That's what Christian community could feel like.
My about-to-be neighbours have such bonfires often, and after I move, if it
rains, we can adjourn to my roomy front porch and make music there.
A week after the bonfire, I stopped into the music store and made an
impulse purchase. This morning, after church, Stephen checked out the new
guitar, pronounced it good, and showed me the way I should have been
holding my chording hand for the last dunno-how-many years. I have some bad
habits to break, but that's manageable. He's given me some finger exercises
too, and I am teaching myself to run a C-scale, getting more certain and
faster with practice.
I'll never be as good as Doc Watson. I'll likely never even be as good as
Stephen. But the others are there to carry me along, and I can add the best
I can. Especially with some decent teaching.
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