[SB] Sabbath Blessing
Molly Wolf
lupa at kos.net
Sat Mar 25 18:22:59 GMT 2006
Creatures
I woke this morning to the sense of a moving pressure against my right leg:
Maggie-cat, washing.
She likes sleeping with me. Of late, she's taken to leaning right up
against my leg instead of curling up in a gloriously multicoloured heap on
the green comforter. I usually wake to her substantial,
mild-in-her-middle-years presence. This morning, I curled around and
reached to give her a fuss, scritching the white fur of her chin and chest.
She has a beautiful butterscotch-gold big diagonal blaze across the darker
tabby of her face, and I admired it afresh as she half-closed her eyes in
satisfaction, nuzzling my hand like a contented kitten.
Admiring her beauty, I remembered -- for no particular reason -- an
exhibition I'd seen almost eleven years ago, at the National Gallery in
Ottawa. It was called "The Queen's Pictures", and it was a sampling from
the British royal art collection. One painting in particular clobbered me.
I can't remember (and can't, by Googling, find) what its title was, but it
was a portrait by Rembrandt of a merchant and his wife. I've seen a fair
number of Rembrandts, but this was a big 'un of the very best quality. I
remember standing there, getting clonked by the sheer brilliance of the
painting, and realizing that I was in the presence of really great art -- a
diamond of the first water.
This morning, fussing Maggie-cat, the same feeling hit me. I was in the
presence of really great art -- a diamond of the first water. Truly, truly,
I say unto you: I was fussing a large, handsome but still quite ordinary
tortoiseshell domestic shorthair. There are God only knows how many house
cats in this world -- hundreds of millions, most likely -- ranging from the
scrawny to the beachball-configuration, from the starved and abused to the
grossly over-indulged. And that's just the cats. Then there are the dogs,
the hedgehogs, the frogs, the tilapia fish, the beetles (probably as many
as a million species -- God's inordinant fondness for the coleoptera), the
starlings.... Yesterday, going outside, I heard what sounded like a very
large, long-distance dog fight and realized that several hundred Canada
geese were down by the shore, organizing themselves into great Vs to take
off for northern marshes. And suddenly, my neighbourhood is full of
mourning doves in hot pursuit of other mourning doves.
We are so proud of what we make, we humans; we focus with such unending
loving delight on our own creations. Sometimes, as in that big, glorious
Rembrandt, we really do make something of superlative workmanship and
enduring importance. But the home artist laboriously painting a moose on
black velvet is just as delighted -- maybe even more so -- with the product
of her art as the master was. (The really good ones are rarely satisfied.)
But compared to Creation, all of our creations, even the very best, are so
small, so limited, so transient. There is no painter now and never has been
who could adequately represent Maggie-cat's particular feline beauty. No
photograph or digital image, however masterfully manipulated, could quite
capture the texture of her fur or the gleam of her greeny-yellow eyes. The
very best human creativity could manage is an aesthetically pleasing symbol
of a reality we're not capable of capturing, at least not perfectly. And
that's the just the reality that's visible to our limited human senses.
What about the other realities, the ones Maggie is in close touch with when
she's prowling the neighbourhood at dusk?
This is the realest of realities: there is no other cat exactly like this
one, and never could be; she is a work of Creation, inimitable and of
formidable beauty. And she's *still* only an ordinary, if handsome,
domestic shorthair. If she has a soul (I suspect she does), it's a
cat-sized soul, with the inevitable limitations of feline nature. She can
rise to contentment but not to disinterested love. She's pretty bright, by
cat standards, but quantum physics isn't on her mental horizons in any
conceivable world. She can hunt, but she can't create. She can play, but
she can't achieve. That's just being a cat.
I am one of some several billion human souls on this planet, each of which
is *real* to God, utterly different, one-of-a-kind, and infinitely
precious. Why is this reality so hard to grasp and take in? Why is it so
much easier for me to spend a minute or two contemplating Maggie's unique
and particular beauty than it is for me to do as much for any other human
being? What causes us to focus on the flaws and uglinesses and wrongness of
ourselves and each other, instead of on what God sees to love in us?
I'm doing this all wrong, of course: I've set Maggie and the Rembrandt up
as an either-or thing, when in fact it's both-and: there is Maggie's beauty
and there is the beauty of human endeavour at its best, and there's nothing
to choose between them. Merely, Maggie's here on my bed and the Rembrandt
is back in Windsor Castle or whatever, and Maggie is warm to my touch as a
painting never can be. Maggie can turn under and into my hand, as I can
turn under and into God's love. When I remember.
******************
I'm about to hit some sacred cows, and they moo so badly. -- Phyllis
Tickle, aka The Divine Miz T.
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