[SB] Sabbath Blessing
Molly Wolf
lupa at kos.net
Tue Aug 22 15:49:36 GMT 2006
The Fair
Properly carded or not, the silver-grey fleece spins up a treat. I have
brought my portable wheel with me, camping; at the Heath Fair -- an
old-fashioned, serious country fair -- I have found other spinners. I have
unloaded the wheel and my hand cards and the bag of fleece, and now I am
sitting under a large green-striped canopy happily treadling and drafting.
Next to me, working at a Louet wheel, is a beautiful young woman with a
wheat-gold plait to her waist, which is thickening with her next child --
her third or third-and-fourth, depending on whether it's twins. An older
woman crafts a hooked-rug picture with hand-spun, hand-dyed yarns, as
another woman spins multicoloured rovings on a superb Polish wheel. We are
entirely contented. There's no strangeness when you wander into this world
of fibers, only a shared language and an unfailing welcome.
The yarn I'm spinning -- it's going to be a three-ply -- is for a very
specific project: I am going to use it to knit a hat. The hat will be in
Shaker rib, a stretchy, resilient stitch, very warm, a toque with a
turned-up bottom. I'm not going to wash the mildly sheepy smell out of the
yarn; I'm going to leave it. I want the hat to convey this reality to the
man I'm making it for, sheep-smell and all.
I'll call him Toby; he's a big, handsome guy in his late 30s, very bright,
an artist and writer; he is one of the most genuinely good people I know,
and also one of the most tragically flawed. The flaw blew open last fall,
rather like the side of a volcano blowing off in an eruption, and Toby is
now behind bars. He will likely stay there for, oh, at least 10 or 15
years, likely longer. You see, the eruption occurred when he was on parole
from a previous eruption. He's older and wiser now, and I think in the very
long term, he's going to be okay; this time, he's surrounded by a circle of
support and accountability, as he wasn't before. He's very much loved, and
that makes a difference. But still, it's going to be a long, long time --
if ever -- before Toby walks in fields like these or can go to a small
country fair.
And so I spin the fair into my dove-grey single, twisting it in. I twist in
children's laughter, the bleat of penned goats, the bray of a donkey. I
twist in the quiet chat of my spinning companions. I spin in the
seriousness of the rabbit judging competition, and the poultry; I spin in
first-prize ribbons on jams and cakes. I spin in the smell of bruised grass
and of the chicken barbecue put on by the volunteer fire department.
There's a spatter of light rain and I twist that, too, into my wool. I work
in the men just next to us, who are showing people how rope used to be
hand-crafted; I add the woman carving wooden spoons, the man demonstrating
butter-making, the old guys showing off lethal-looking two-man saws.
There's a duet going on in the music tent, folk songs sung well and truly
by a man and a woman, with fiddle and banjo and guitar, and little kids are
dancing, and I work that in as well. I spin in the town library display,
and the school display, and the quilt raffle, and the concession stand. I
want the whole fair in this yarn.
No doubt all the people wandering through this gentleness are as flawed as
Toby and I are, although I hope they've suffered far less. But the place
itself has an innocence about it; it's a place and an occasion testifying
to the goodness of Creation. Both the place and the fair tend to attract
people of sound soul and kind heart; they do not attract people with
pretensions or illusions of importance. It has, and has always had, a
mildly zen feel to it, of wisdom, not cleverness.
The animals in the long judging barns -- sheep and cattle, oxen, horses --
are well cared-for. The judging's been done thoughtfully and with respect.
Much affection went into the planning of this fair -- I know some of the
planners -- and that love spills out among the long rows of parked cars;
it's in the fresh lemonade and the famous fried dough cakes.
It's a place where soul can bump soul, and that happens; I have a long,
rich conversation with a man who's a writer like me, and with his beautiful
wife; we are at once in a space of truth and intimacy and an understanding
of truths that this good, truthful place deeply understands but that the
world of midways will never get. I set my spinning aside for a while, just
to talk to these people. The young mother spinning next to me looks up from
her white roving and says wisely, "You are having such a rich afternoon."
Yes, I am.
It's in this landscape; there's something about the place, everybody knows
that. Half a mile south and straight downhill from here, there's the white
Union church where Reinhold Niebuhr first said the Serenity Prayer. That's
what I want to twist into this yarn for Toby's hat. It's what I want to
convey to him.
But more than that: I believe -- as do the others here -- that this
peaceful goodness, this quiet beauty, is of this one still-standing moment,
but it's also of eternity. Toby doesn't yet know that, but we do: that this
moment is perfect in itself, but it also represents a perfection yet to
come, when we stand on the other side of the River and breathe that
kindliest of airs. I know that; the young woman beside me knows that, as do
the author and his wife and the people who planned the fair, and it only
increases this moment's joy. We don't have to cling to the joy; we can just
let it be, because we have it always.
That's what I'm really spinning into this yarn; that's what I want Toby to
have wrapped around his ears in the prison yard when it's January and
bitter cold. That's what I'll ply when I twist three singles together;
that's what I'll knit in with every stitch. Toby, this isn't it. There's so
much more to come.
This is my last day camping; tomorrow I'll pack up and head home. I'll give
my new grey yarn a wash in hot water to set the twist and let it bloom into
whatever it's supposed to become, and then I'll start a swatch. It's only a
hat. It shouldn't take me long.
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